Order page for the [BUDA-THING] series
11 Another Sun
Waiting for the day when the new sun
will bloom and embrace the birds
DESCRIPTION OF THE WORK
This work is an extension of the series that was selected as a Young Designer at the Seoul Design Festival. It started from a desire to escape the stifling reality. It contains the hope that we can overcome it if we unite with people who share the same purpose and love, rather than turning away from and denying reality. The wording 'Only Love' written on the front of the neck was heavy and then began to rise. I hope that we can bring out the 'energy of love' inside me and welcome another sun, a new dawn together.
ORDER INFO
- Please note that this is a product that was only produced in one piece and will not be produced again.
- The numbering of the [BUDA-THING] series is on the bottom of the product.
- There are not many quantities that can be made at once, so if the production is delayed, we will inform you separately.
PRODUCTION PROCESS
MUTA's ceramic products are handmade. After pouring mud water into a specially made plaster mold in the shape of the Buddha, the shape of the Buddha is drawn out, and then all parts, including the hair, face, and ears, are trimmed with a knife and smoothened with a brush. After drying for 7 to 10 days, it is first fired in a kiln at 800 degrees, polished again with fine sandpaper, then glazed with a brush two to three times and fired twice in a kiln at 1,250 degrees. All ceramic products require concentration and effort to produce the best results.
PRODUCT INFO
CERAMIC
COVER: 9x10x17 (CM) / CONE PLATE: 2x2x1 (CM)
Glazed inside and out
PRECAUTIONS
The information below cannot be a reason for exchange or refund, so please fully understand and purchase it.
- The whole process is handcrafted by the artist, and there may be minute differences in patterns, shapes, and sizes.
- Glaze flow marks, small bubble marks, and small dots due to iron components are natural phenomena that occur during glaze and firing.
- In the case of ceramic supports, they may not be perfectly flat due to slight distortion during the high-temperature firing process.
- Pottery products can cause fine cracks on the surface as they are used.
- The above description is a natural phenomenon that occurs during the handmaid process, so it is not defective.
11 Another Sun
Waiting for the day when the new sun
will bloom and embrace the birds
DESCRIPTION OF THE WORK
This work is an extension of the series that was selected as a Young Designer at the Seoul Design Festival. It started from a desire to escape the stifling reality. It contains the hope that we can overcome it if we unite with people who share the same purpose and love, rather than turning away from and denying reality. The wording 'Only Love' written on the front of the neck was heavy and then began to rise. I hope that we can bring out the 'energy of love' inside me and welcome another sun, a new dawn together.
ORDER INFO
- Please note that this is a product that was only produced in one piece and will not be produced again.
- The numbering of the [BUDA-THING] series is on the bottom of the product.
- There are not many quantities that can be made at once, so if the production is delayed, we will inform you separately.
PRODUCTION PROCESS
MUTA's ceramic products are handmade. After pouring mud water into a specially made plaster mold in the shape of the Buddha, the shape of the Buddha is drawn out, and then all parts, including the hair, face, and ears, are trimmed with a knife and smoothened with a brush. After drying for 7 to 10 days, it is first fired in a kiln at 800 degrees, polished again with fine sandpaper, then glazed with a brush two to three times and fired twice in a kiln at 1,250 degrees. All ceramic products require concentration and effort to produce the best results.
PRODUCT INFO
CERAMIC
COVER: 9x10x17 (CM) / CONE PLATE: 2x2x1 (CM)
Glazed inside and out
PRECAUTIONS
The information below cannot be a reason for exchange or refund, so please fully understand and purchase it.
- The whole process is handcrafted by the artist, and there may be minute differences in patterns, shapes, and sizes.
- Glaze flow marks, small bubble marks, and small dots due to iron components are natural phenomena that occur during glaze and firing.
- In the case of ceramic supports, they may not be perfectly flat due to slight distortion during the high-temperature firing process.
- Pottery products can cause fine cracks on the surface as they are used.
- The above description is a natural phenomenon that occurs during the handmaid process, so it is not defective.