오렌지 벌 민트 컬러 팟
Exhibited @ 2024 SDF
Order page for the [BUDA-THING] series
/Region
01 MUTA[無他]
Think about how judging good and evil by religious standards has broken the hearts of so many people.
Like the hotel California lyrics, this could be either heaven or hell.
#Eagles
DESCRIPTION OF THE WORK
This work was selected and exhibited as a young designer at the Seoul Design Festival. The title of this work is MUTA. MUTA means ‘no reason’. 666 on the forehead may seem like the devil's number to some, but to others it's just a number. Through this work, I wanted to remind you of how easily we adapt to prejudice and stereotypes. The criterion for judging something should not be religion or appearance.
ORDER INFO
- Please note that this is a product that was only produced in one piece and will not be produced again.
- The numbering of the [BUDA-THING] series is on the bottom of the product.
- There are not many quantities that can be made at once, so if the production is delayed, we will inform you separately.
PRODUCTION PROCESS
MUTA's ceramic products are handmade. After pouring mud water into a specially made plaster mold in the shape of the Buddha, the shape of the Buddha is drawn out, and then all parts, including the hair, face, and ears, are trimmed with a knife and smoothened with a brush. After drying for 7 to 10 days, it is first fired in a kiln at 800 degrees, polished again with fine sandpaper, then glazed with a brush two to three times and fired twice in a kiln at 1,250 degrees. All ceramic products require concentration and effort to produce the best results.
PRODUCT INFO
CERAMIC
COVER: 9x10x17 (CM) / CONE PLATE: 2x2x1 (CM)
Glazed inside and out
PRECAUTIONS
The information below cannot be a reason for exchange or refund, so please fully understand and purchase it.
- The whole process is handcrafted by the artist, and there may be minute differences in patterns, shapes, and sizes.
- Glaze flow marks, small bubble marks, and small dots due to iron components are natural phenomena that occur during glaze and firing.
- In the case of ceramic supports, they may not be perfectly flat due to slight distortion during the high-temperature firing process.
- Pottery products can cause fine cracks on the surface as they are used.
- The above description is a natural phenomenon that occurs during the handmaid process, so it is not defective.
01 MUTA[無他]
Think about how judging good and evil by religious standards has broken the hearts of so many people.
Like the hotel California lyrics, this could be either heaven or hell.
#Eagles
DESCRIPTION OF THE WORK
This work was selected and exhibited as a young designer at the Seoul Design Festival. The title of this work is MUTA. MUTA means ‘no reason’. 666 on the forehead may seem like the devil's number to some, but to others it's just a number. Through this work, I wanted to remind you of how easily we adapt to prejudice and stereotypes. The criterion for judging something should not be religion or appearance.
ORDER INFO
- Please note that this is a product that was only produced in one piece and will not be produced again.
- The numbering of the [BUDA-THING] series is on the bottom of the product.
- There are not many quantities that can be made at once, so if the production is delayed, we will inform you separately.
PRODUCTION PROCESS
MUTA's ceramic products are handmade. After pouring mud water into a specially made plaster mold in the shape of the Buddha, the shape of the Buddha is drawn out, and then all parts, including the hair, face, and ears, are trimmed with a knife and smoothened with a brush. After drying for 7 to 10 days, it is first fired in a kiln at 800 degrees, polished again with fine sandpaper, then glazed with a brush two to three times and fired twice in a kiln at 1,250 degrees. All ceramic products require concentration and effort to produce the best results.
PRODUCT INFO
CERAMIC
COVER: 9x10x17 (CM) / CONE PLATE: 2x2x1 (CM)
Glazed inside and out
PRECAUTIONS
The information below cannot be a reason for exchange or refund, so please fully understand and purchase it.
- The whole process is handcrafted by the artist, and there may be minute differences in patterns, shapes, and sizes.
- Glaze flow marks, small bubble marks, and small dots due to iron components are natural phenomena that occur during glaze and firing.
- In the case of ceramic supports, they may not be perfectly flat due to slight distortion during the high-temperature firing process.
- Pottery products can cause fine cracks on the surface as they are used.
- The above description is a natural phenomenon that occurs during the handmaid process, so it is not defective.